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Das Dahinter ist immer auch das Davor – nur eben reverse.

Diese Ausgabe der Radioshow "Reset Black" hat
"The Secrets Behind " zum Thema und beantwortet musikalisch die Frage, warum das Überschreiten unbekannter Horizonte nicht bedeutet, dass althergebrachte Pfade gänzlich verlassen werden, sondern lediglich und ausschließlich die Neugier befriedigt wird, endlich einen Blick zurückwerfen zu können.

Fröhliches resetten am Donnerstag den 20. September 2018, ab 08:00 pm CET / 20.00 Uhr German time …

Follow this link to the
Livestreams of the radio show 1
Follow this link to the
Livestreams of the radio show 2
Follow this link to the
Livestreams of the radio show 3
Follow this link to the
Radio Reinwelle

Terra – Wiesbaden / Mainz: UKW 92,5 MHz

Gespielt werden folgende Bands, Komponisten und Projekte:
YUKA, Luca D'Alberto, Ólafur Arnalds, Andrey Dergachev, Ulrike Haage, Pieter Nooten, Worriedaboutsatan, Julien Neto, Ryan Teague, Alone In The Woods, Rafael Anton Irisarri, Architect, Julianna Barwick und jede Menge mehr.
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Über den Moment, wenn der Mond die Sonne küsst.

Gewidmet ist diese Sendung drei starken Frauen:
Sina, die mir eine Freundin, ja Schwester geworden ist und mich in einem entscheidenden Moment in ihre Familie aufgenommen hat.
Corinna, die die Fähigkeit besitzt, das Chaos in mir zu entwirren, die Schmerzen lindert und aus dem Gestern ein besseres Morgen macht.
Und last but not least Anette, die mein Leben und meine Liebe seit einem Vierteljahrhundert ist, die mich erträgt und mich festhält, egal wie stark der Sturm mich ins Schwanken bringt.

Danke, das es Euch gibt!


Diese Ausgabe der Radioshow "Reset Black" hatte "Epic Grace" zum Thema und ging musikalisch der Frage nach, warum die auf dem Reißbrett der Geschichte verordnete Erwartungshaltung im Bezug auf Anmut so wenig ergiebig, die Verbeugung vor der göttlichen Schönheit ein Bedürfnis und ihre Dimensionen oftmals schlicht unbegreifbar sind.

Fröhliches resetten am Donnerstag, den 23. August 2018, ab 08:00 pm CET / 20.00 Uhr German time …
20:00 – 21:00
Bliss – Unanswered Letters
Philipp Poisel – Halt mich
Ane Brun, Swedish Radio Symphony Orchestra & Hans Ek – Halo
Freya Ridings – Blackout
A Fine Frenzy – Swan Song
Marie Fisker & Kira Skov – Hostile Face
Nick Cave & The Bad Seeds – Do You Love Me? (pt. II)
Freya Ridings – Lost Without You
Carmel – I'm Not Afraid of You
Beth Gibbons & Rustin' Man – Show
Jade Jackson – Motorcycle
First Aid Kit – Wolf
Florence + The Machine – Shake It Out
The Family Crest – Beneath the Brine
21:00 – 22:00
Nelly Furtado – Childhood Dreams
Natalie Merchant – Giving Up Everything
Fever Ray – Red Trails
Lana Del Rey feat. Stevie Nicks – Beautiful People Beautiful Problems
Thåström – Långtbort
The National – Morning Dew
Asaf Avidan – A Gun & a Choice
Ane Brun, Swedish Radio Symphony Orchestra & Hans Ek – To Let Myself Go
The White Buffalo – Last Call to Heaven
Calexico – End of the Night
Sarah McLachlan – Fumbling Towards Ecstasy
Champs – Roll Me Out
Barclay James Harvest – Hymn
epicgrace
Album der Sendung I
Ane Brun, Swedish Radio Symphony Orchestra & Hans Ek – Live at Berwaldhallen

AnebrunII

Ane Brun Official
Filmtipp der Sendung
Die Vierhändige



DieVierhaendige
Album der Sendung II
Freya Ridings –
Live at Omeara


Freyaridings

Freya Ridings Official

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The Reverend is back.

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Photographer: .artundwork designbüro

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Über das Fundbüro der Zeit.

Diese Ausgabe der Radioshow "Reset Black" hatte
"Lost Culture" zum Thema und decodierte musikalisch – mal mehr, mal weniger behutsam – die Schuld der brüchigen Fugen an den Toren des Heute, die damit einhergehende Sehnsucht nach dem Konkreten des Gestern und der Furcht vor dem Abstrakten des Morgen.

Fröhliches resetten am Donnerstag, den 26. Juli 2018, ab 08:00 pm CET / 20.00 Uhr German time …
20:00 – 21:00
ASHTORETH / GREY MALKIN – The Stars Turn Towards Their Ending
Abul Mogard – Staring At The Sweeps Of The Desert
Post Scriptvm – Nature Morte
Zoät-Aon – Skeletal Sphinx
Syrenomelia – The Stars Turn Towards Their Ending
Rafael Anton Irisarri – Embraced
DEATHPANEL – UNDER JUDGEMENT
21:00 – 22:00
Laibach – Vor Sonnen-Aufgang
Lamia Vox – Born of the Abyss
Apoptose – …und Null Sekunden (excerpt I)
Hubert Von Goisern – Der letzte Wille des Elias Alder
Apoptose – …und Null Sekunden (excerpt II)
Laibach – Als Geist
Tobias Hellkvist – Kaskelot Session Fragments
Karjalan Sissit – Javla Psykopat Karring (Varre Än en Horunge)
Herz Jühning – Im Totraum
Haus Arafna – All I Can Give
Genocide Organ – Deliberate
[Code Neda] – Jackie Duddy
DEATHPANEL – A NAILED THING ON THE CROSS
lostculture
Album der Sendung I
DEATHPANEL – AGE OF INSIGNIFICANCE

DEATHPANEL

DEATHPANEL @ Bandcamp
Buchtipp der Sendung
Clemens J. Setz – Bot: Gespräch ohne Autor

Bot
Album der Sendung II
Haus Arafna –
All I Can Give

HausArafna

Haus Arafna Official

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Wenn der Herzschlag einen Sturm gebiert.

Diese Ausgabe der Radioshow "Reset Black" hatte
"Adore" zum Thema und ging musikalisch der Frage nach, warum die Schönheit des sich Verzehrens den Boden wie im Rausche schwanken lässt, sich ausbreitet um das Innere zu verbrennen und Momente erfrieren lassen kann.

Fröhliches resetten am Donnerstag den 28. Juni 2018, ab 08:00 pm CET / 20.00 Uhr German time …
20:00 – 21:00
Letum – Tears
David Eugene Edwards & Alexander Hacke – Triptych
Leonard Cohen – Treaty
Nick Cave & The Bad Seeds – I Need You
Russian Circles feat. Chelsea Wolfe – Memorial
Swans – When Will I Return?
PJ Harvey – To Bring You My Love
Smashing Pumpkins – Tear
Tindersticks – This Fear of Emptiness
David Eugene Edwards & Alexander Hacke – Breathtaker
This Mortal Coil – Kangaroo
Charnia – Het Dodenhuis
21:00 – 22:00
Hilmar Orn Hilmarsson & Sigur Rós – Death Announcements and Funerals
The Gallow Crows – Kill the Rose
FareWell Poetry – As True as Troilus
Joy Wants Eternity – From Embrace to Embrace
Kreng feat. Amenra – The Summoning
Mobius – Abhinivesha
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Album der Sendung I
David Eugene Edwards & Alexander Hacke – Risha

Risha

Risha @ Facebook
Buchtipp der Sendung
David Cronenberg –
Verzehrt

Verzehrt
Album der Sendung II
Tindersticks –
The Waiting Room

Tindersticks

Tindersticks Official

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Über die Windungen gerade verlaufender Pfade.

Diese Ausgabe der Radioshow "Reset Black" hatte
"Out of the Dark" zum Thema und ging musikalisch der Frage nach, warum das Leerzeichen zwischen den Momenten der Welt abhandenkommt, die Augenblicke durchsichtig werden, das Dazwischen keine Passage mehr darstellt und das Solitär der Stille in seiner Einzigartigkeit seine Bedeutung verliert.

Fröhliches resetten am
Donnerstag den 31. Mai 2018, ab 08:00 pm CET / 20.00 Uhr German time …
20:00 – 21:00
Angelo Badalamenti – Dark Spanish Symphony
Andrey Dergachev – Metamorphisis
Anja Lechner & Vassilis Tsabropoulos – Chant from a Holy Book, var. 1
Colin Vallon, Patrice Moret & Julian Sartorius – Goodbye
Tori Amos – Sugar
Loscil – The Making of Grief Point
Hope Sandoval & The Warm Inventions – Into the Trees
Item Caligo – Indecision, Acquittal
Portishead – Roads
21:00 – 22:00
Anja Lechner & Vassilis Tsabropoulos – Prayer
Rachel Portman – Book of Dead
Nils Frahm – Pause
Bohren & Der Club of Gore – Ganz leise kommt die Nacht
Lubomyr Melnyk – Le miroir d'amour
Apoptose – Vivian und Wiebke
OLANE – Olane
Test Dept. + Brith Gof – Truan Yw Gennyf Fi
This Will Destroy You – Memory Loss
MONO – Everlasting Light
outofthedarkII
Album der Sendung
Anja Lechner & Vassilis Tsabropoulos – Chants, Hymns and Dances

AnjaLechner

Anja Lechner Official
Buchtipp der Sendung
Esther Kinsky –
Hain

Estherkinsky
Album der Sendung
Lubomyr Melnyk –
Corollaries

LubomyrMelnykcoro

Lubomyr Melnyk Official

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5 Questions to: Julia Kent.

Julia Kent, now located in New York but born in Vancouver, is a cello player and composer from Canada. Until now she successfully collaborated with Angela McCluskey, The Angels of Light, Antony and the Johnsons, Backworld, Black Tape For A Blue Girl, Current 93, Jarboe, Norah Jones, Rasputina, Rufus Wainwright and Ryan Adams.

Her compositions are located between the poles of music for film, rock, folk, dance and theatre, as well as experimental music.
In common with her compositions her cello playing is complex and characterized by a mystic melancholy.


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Julia Kent, Photographer: Pedro Anguil


Reset Black: Up to now you have published 6 gorgeous soloalbums. Additional there are musical collaborations with Norah Jones, Rufus Wainwright, Antony and the Johnsons, Black Tape for a Blue Girl, Current 93, Jarboe – to name but a few – up to Barbara Morgenstern, in germany still dealed as an insiders’ tip. Having just a look at these range of different musical genres, provides an insight into the challenge of your complex oevre. Are these collected experiences a personal gain for your compositions? How is the impact on your creative process?

Julia Kent: I am very grateful for having had the chance to encounter so many amazing artists, and, of course, everyone I've been lucky enough to work with has had an impact on my creative process. The artistic encounters you mention are mostly from a long time ago, and, in many cases, it was just a question of someone graciously inviting me to contribute something to their work. I feel as though I've created my own path as a solo artist, but, definitely, I have learned from everyone that I've had the privilege of encountering musically. Especially Anohni, who is such a special and beautiful being. I learned so much from having the wonderful experience of playing with her over quite a few years, both musically and personally. But, definitely, everyone I have worked with has left a trace.

Reset Black: Those who listen to the music of Julia Kent are currently a sort of witness of a musically front-line report from battlefields of emotions. And the listener is certainly ambivalent: happy on one side to be "only" the audience – willing not to get lost in such an emotional battle. On the other side desiring to be consumed by such a magical fire. The track "Lac des Arcs" from your album "Asperities" is in such a way. The question arises, what makes you feel so profoundly concerned to compose songs which do not only affect, but also transport into an expanding spehre of emotions?

Julia Kent: I think that emotion, at least in the sense of trying to address the fragility and ephemerality that is innate in being human, is always something I am trying to express, musically. And, right now, it seems as though sharing the feelings and fears that we all have is the only way we can achieve commonality. We are in an awful time in the world, on many levels. I come from Canada, but I live in America, where, right now, the country seems so divided, perhaps as it always has been: we are experiencing a poisonous time of hatred, and disregard for human values, and conflict. I hope that we still can still find some points in common. I think that emotion--something that's beyond politics or ideology--can maybe bring us together as human beings? It could be the only way we can evolve--through finding our common ground as human beings on a planet that we are increasing seeing can't host us for much longer because of our greed and thoughtlessness. Ultimately, I think we all feel the same basic emotions, even if we''re on different ends of a political spectrum. And, unfortunately, I think the final emotion we will feel, as a species, might be regret: for destroying our ability to exist on this planet, and our sense of solidarity as human beings.

Reset Black: Listening to your cello playing, it comes into one’s mind that your instrument is a weapon. A weapon to crusade mainstream, pop and fleeting "Zeitgeist“. Although – or especially because of – the cello is a vintage instrument, it unfolds a momentum which is stronger than modern techniques. How did you came about electing the cello and what does it means to you? Is the cello sense of life, statement, art or more than this? Possibly even an artistic revelation?    

Julia Kent: The cello, of course, is such a classical instrument, but there always have been composers like Arthur Russell and Tom Cora who forged ahead and turned it into an expressive and individual medium. Also cellist/composers like Ernst Reijseger and Hildur Gudnadottir and Deidre Murray and Erik Friedman, who are so inspiring in the way they approach making music that is cello-based. For me, it's the instrument that I always have played and have continued to embrace because it's my voice. I don't play the cello in any conventional or technically adept way, but I love to use it as a sound source, and to exploit its expressive capabilities. It's definitely a very direct way to express emotion; the instrument is so sensitive to that. And of course it can be a weapon, as all instruments can. I'm waiting for the musicians' revolution to happen. Music has such power to unlock feeling.

Reset Black: It took me a long tome to come to an idea how to entitle your music. There is nothing comparable, no drawer to put into. It’s not because your music is a mixture of styles or crossover but rather unique in its compexity. I would love to designate your music as "Soundtrack for Inner Space and Sense" – definitely not intended in an esoterically manner. In addition to that, you are doing compositions for film and theatre. Is this pointing your way ahead? Or do you continue as a musician without limitations and still feeling comfortable in many artistically and musically fields?

Julia Kent: That is such a beautiful way to characterize my music--thank you! I definitely think that I am trying to create music that comes from an inner space and expresses some very personal emotions. But I also love making music for film and dance and theatre; it's always inspiring to make music that is reacting to someone else's creative vision. Images or choreography or text have their own requirements in terms of accompanying them and I'm always excited to explore that. It's such an interesting way to collaborate as, in a way, you're using a different language, but working toward the same artistic end. And the idea of soundtracking can be applied in so many different contexts. In a way, we're always soundtracking our own lives.

Reset Black: Having a look at the release history since your debut "Delay“, it strikes me that a new release should come very soon. Are you currently planning something new? If so, what are the themes and is there any publication date? My very special whish: a collaboration of your gorgeous cello playing and the mystic voice of David Tibet – that would be simply delightful …   

Julia Kent: Yes! I have a new record ready to go, which I think will come out early next year, on the Leaf label. It consists of music created for dance and theatre, along with some new pieces that seemed to fit into the same sound-world. I feel as though it's more external than some of my previous records, in terms of being inspired by text- and movement-based concepts, but it also evolved quite a lot in the process of turning it into a cohesive work. There are some collaborations that I'm working on as well, including something for Gregory Euclide's amazing Thesis Project, with Sophie Hutchings. And I have a couple of film and dance projects that should be emerging over the next few months.


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Julia Kent, Photographer: PEPE fotografia


For more informations visit:
Julia Kent
Official
Julia Kent @
Facebook
Julia Kent @
Bandcamp



"Flag of No Country" from Julia Kents "Asperities" @
The Leaf Label 2015

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Termin September 2018

– 20.09.2018 –
Termin November 2018

– 15.11.2018 –
Termin Oktober 2018

– 18.19.2018 –

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Termin Dezember 2018

– 13.12.2018 –
Termin Februar 2018

– 07.02.2019 –
Termin Januar 2019

– 10.01.2019 –

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© by Reset Black. "Reset Black" is a Radioshow for those who enjoy sounds on the periphery of silence.