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Über den Raum zwischen den Tropfen des Novemberregens.

Diese Ausgabe der Radioshow "Reset Black" hatte
"Divine Innocence" zum Thema und ging musikalisch der Frage nach, warum mit dem Eintreten der Dunkelheit Berührungen mehr der Wahrheit entsprechen, in ihrer Reinheit erlebbarer werden und es wert sind, das Schlaflied des nächtlichen Leidens in die ersten Sonnenstrahlen des kommenden Tages zu transformieren.

Fröhliches resetten am Donnerstag den 15. November 2018, ab 08:00 pm CET / 20.00 Uhr German time …
20:00 – 21:00
The Dead Texan – La Ballade D'Alain Georges
Boduf Songs – The Giant Umbilical Cord That Connects Your Brain to the Centre
Winter Aid – The Wisp Sings
Bonnie "Prince" Billy – Roses in the Winter
Damien Jurado – Everything Trying
Jayne Amara Ross, Frederic D. Oberland & Gaspar Claus – The Bed-Crows / Girasol
Chelsea Wolfe – Sick
Richard Knox & Frederic D. Oberland – Drawing Lines to the End of the World
Smog – Rain On Lens 1
Lanterns on the Lake feat. Royal Northern Sinfonia – I'll Stall Them
This Will Destroy You – Weeping Window
21:00 – 22:00
Max Richter – The Quality of Mercy
Woodkid – Baltimore’s Fireflies
Lanterns on the Lake feat. Royal Northern Sinfonia – Stepping Down
Winter Aid – Wives
Deaf Center – Lamp Mien
Marianne Faithfull – Witches Song
Lanterns on the Lake feat. Royal Northern Sinfonia – I Love You, Sleepyhead
YUKA – Something Is Always Untouched
Soap&Skin – Athom
Yamaneko – Aquarius Echo Chamber
Album der Sendung I
Winter Aid –
The Wisp Sings

Winteraid

Winter Aid Official
Filmtipp der Sendung
NEOMANILA

Neomanila
Album der Sendung II
Lanterns on the Lake – Live With Royal Northern Sinfonia

LanternsontheLake

Lanterns on the Lake Official
Divineinnocence
NEOMANILA.

Manila im Heute: Drogenkrieg. Korruption. Poltisches Chaos.

Toto, ein philippinisches Straßenkind, wächst in der rauen Welt der Straße auf. Der immer weiter eskalierende Drogenkrieg ist Alltag und Toto braucht dringend Geld für seinen Bruder Kiko. Dieser ist inhaftiert und hat zudem Probleme mit einer Gang, die in den illegalen Drogenhandel verwickelt ist. In dieser Welt begreift der Junge schnell, wem man trauen darf und wem nicht.

Als Toto herausfindet, dass er und sein Bruder als Drogenverdächtige durch Attentäter getötet werden sollen, droht die letzte Hoffnung in seinem Leben komplett zu schwinden. Gangster, das korrupte Militär und die Polizei machen Jagd auf ihn.

Doch bevor Toto getötet werden kann, wird er von einer mysteriösen Frau namens Irma gerettet. Irma erzählt Toto, das sie einst eine Freundin seiner verstorbenen Mutter war. Und sie birgt ein Geheimnis: Sie ist eine professionelle Auftragskillerin, die im Sold des korrupten Polizisten Sarge steht. Auch wenn Irma ganz andere Sorgen hat, nimmt sie dennoch Toto in ihr Heim auf. Sie wird seine neue Mutter und seine Mentorin werden. Bei sich aufgenommen, bildet sie Toto alsbald zum Attentäter aus …

NEOMANILA ist ein realistisch-verstörender Neo-Noir Thriller, der weit über die eigentliche Geschichte hinaus die gesellschaftlichen Verhältnissen auf den Philippinen in düster-opulenter Optik widerspiegelt. Im Vordergrund von Regisseur Mikhail Reds NEOMANILA steht nicht nur die brutale und rigorose Drogenpolitik von Präsident Rodrigo Duterte, sondern auch die tief in der philippinischen Gesellschaft verwurzelte Korruption.

Neben der außerordentlichen schauspielerischen Leistung und den präzise skizzierten Charakteren, bietet NEOMANILA auch eine packende Geschichte. Eingebettet in den Rahmen großer Kinokunst, erlebt der Zuschauer eine fremde Kultur in der das gesellschaftliche Klima kalt und rau, das Herz mancher Menschen aber sehr groß ist.

Mit NEOMANILA wird das 31. exground filmfest am morgigen 16. November 2018 um 19:00 Uhr, in Anwesenheit des Regisseurs Mikhail Red, in der Wiesbadener Caligari Filmbühne eröffnet. /fjs/
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Fokus Philippinen bei exground filmfest 31:
Traditionsreiche Filmkunst trifft Regimekritik


In der kommenden Ausgabe von "Reset Black" besprechen wir im Rahmen der Medienkooperation von Radio Rheinwelle 92,5 mit dem renommierten Filmfestival "exground" am kommenden Donnerstag, den 15.11.2018, den Eröffnungsfilm "NEOMANILA".

Der Regisseur des Eröffnungsfilms "NEOMANILA", Mikhail Red wird ebenso wie sein Vater, Raymond Red, der Pionier des alternativen philippinischen Kinos als Gast während des Festivals anwesend sein.


Radio hören und ins Kino gehen

Radio Rheinwelle 92,5 und exground – so geht Kultur in Wiesbaden!


Visit:
exground filmfest
Visit:
Radio Rheinwelle 92,5

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Über die letzte Rose des Sommers.

Diese Ausgabe der Radioshow "Reset Black" hatte
"Whenever the Inmost Light Appears Outwardly" zum Thema und beobachtete das sinfonische Leuchten, wenn die Buchstaben ihre Texte verlassen und aus den Sätzen fliegen, das leere Papier blind und wellig wird, die Wörter ihre Umarmung mit der Tinte auf den Fasern des Geschöpften aufgeben und eins werden, mit der Asche der Blätter der letzten Rose des Sommers.

Fröhliches resetten am Donnerstag den 18. Oktober 2018, ab 08:00 pm CET / 20.00 Uhr German time …
20:00 – 21:00
Julia Kent & Jean D.L. – The Great Lake Swallows pt. II
Armand Amar – Te amo
Wovenhand – Story and Pictures
Eddie Vedder – Long Nights
Gustavo Santaolalla – The Last of Us (Cycles)
Barbara Gosza – Colours In the Dark
Backworld – Come With Joy (Remix)
The Black Heart Rebellion – Violent Love
Phallus Dei – Zauberwald
Maxine Kazis – Heilstätten
All The People feat. Kathrin De Boer – Arms Around You
21:00 – 22:00
Artwork – Stadt der Träume
Syrenomelia – The Stars Turn Towards Their Ending
Synth Sense – The Invisible War
Die Form – Rosa Aeturna (To Robert Desnos)
Anna von Hausswolff – The Truth, The Glow, The Fall
Armand Amar – Save Us
Current Ninety Three – A Gothic Love Song
Sophie Hutchings – In Light
Kovacs – My Love
Ensemble Economique feat. Purple Pilgrims – Blue Hour
Jo Quail and Hands of Ruin – Laurus (Hands of Ruin Remix 2018)
Renée Fleming, English Chamber Orchestra & Jeffrey Tate – Last Rose of Summer (Thomas Moore)
inmostlight
Album der Sendung I
Julia Kent & Jean D.L. – The Great Lake Swallows

juliakentjeandl

Julia Kent @ Gizeh Records
Filmtipp der Sendung
Heilstätten


Heilstaetten
Album der Sendung II
Phallus Dei – Black Dawn


phallusdei

Phallus Dei Official

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Das Dahinter ist immer auch das Davor – nur eben reverse.

Diese Ausgabe der Radioshow "Reset Black" hatte
"The Secrets Behind " zum Thema und beantwortete musikalisch die Frage, warum das Überschreiten unbekannter Horizonte nicht bedeutet, dass althergebrachte Pfade gänzlich verlassen werden, sondern lediglich und ausschließlich die Neugier befriedigt wird, endlich einen Blick zurückwerfen zu können.

Fröhliches resetten am Donnerstag den 20. September 2018, ab 08:00 pm CET / 20.00 Uhr German time …
20:00 – 21:00
Ólafur Arnalds, Atli Örvarsson & SinfoniaNord – Öldurót
Andrey Dergachev – Waiting (On the Bridge)
Ulrike Haage – Stilles Sterben
Luca D'Alberto – Everywhere You Are (Yehezkel Raz Rework)
Nils Frahm – All Melody
Pieter Nooten – I Felt
Luca D'Alberto – Wait for Me (Robert Lippok Rework)
Worriedaboutsatan – They Are in Our House Now
Julien Neto – Sketch
Ryan Teague – Nephesch
Julien Neto – Ninety Four
Alone In The Woods – I Never Came up for Air
21:00 – 22:00
Tomasz Bednarczyk – Little Spring
Rafael Anton Irisarri – Für Alina
MONO – The Remains of the Day
Architect – Set my World on Fire
Luca D'Alberto – Endless (Machinefabriek Rework)
Julianna Barwick – Two Moons
YUKA – Something Is Always Untouched
Pieter Nooten – Fields
Anna von Hausswolff – The Hope Only of Empty Men
Jóhann Jóhannsson – Decyphering
secretsbehind
Album der Sendung I
Pieter Nooten – Stem

Pieternooten

Pieter Nooten @ Facebook
Filmtipp der Sendung
Jordskott – Season II

Jordskott2
Album der Sendung II
Luca D'Alberto – Endless Reworks

LucaDAalberto

Luca D'Alberto Official

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Über den Moment, wenn der Mond die Sonne küsst.

Gewidmet ist diese Sendung drei starken Frauen:
Sina, die mir eine Freundin, ja Schwester geworden ist und mich in einem entscheidenden Moment in ihre Familie aufgenommen hat.
Corinna, die die Fähigkeit besitzt, das Chaos in mir zu entwirren, die Schmerzen lindert und aus dem Gestern ein besseres Morgen macht.
Und last but not least Anette, die mein Leben und meine Liebe seit einem Vierteljahrhundert ist, die mich erträgt und mich festhält, egal wie stark der Sturm mich ins Schwanken bringt.

Danke, das es Euch gibt!


Diese Ausgabe der Radioshow "Reset Black" hatte "Epic Grace" zum Thema und ging musikalisch der Frage nach, warum die auf dem Reißbrett der Geschichte verordnete Erwartungshaltung im Bezug auf Anmut so wenig ergiebig, die Verbeugung vor der göttlichen Schönheit ein Bedürfnis und ihre Dimensionen oftmals schlicht unbegreifbar sind.

Fröhliches resetten am Donnerstag, den 23. August 2018, ab 08:00 pm CET / 20.00 Uhr German time …
20:00 – 21:00
Bliss – Unanswered Letters
Philipp Poisel – Halt mich
Ane Brun, Swedish Radio Symphony Orchestra & Hans Ek – Halo
Freya Ridings – Blackout
A Fine Frenzy – Swan Song
Marie Fisker & Kira Skov – Hostile Face
Nick Cave & The Bad Seeds – Do You Love Me? (pt. II)
Freya Ridings – Lost Without You
Carmel – I'm Not Afraid of You
Beth Gibbons & Rustin' Man – Show
Jade Jackson – Motorcycle
First Aid Kit – Wolf
Florence + The Machine – Shake It Out
The Family Crest – Beneath the Brine
21:00 – 22:00
Nelly Furtado – Childhood Dreams
Natalie Merchant – Giving Up Everything
Fever Ray – Red Trails
Lana Del Rey feat. Stevie Nicks – Beautiful People Beautiful Problems
Thåström – Långtbort
The National – Morning Dew
Asaf Avidan – A Gun & a Choice
Ane Brun, Swedish Radio Symphony Orchestra & Hans Ek – To Let Myself Go
The White Buffalo – Last Call to Heaven
Calexico – End of the Night
Sarah McLachlan – Fumbling Towards Ecstasy
Champs – Roll Me Out
Barclay James Harvest – Hymn
epicgrace
Album der Sendung I
Ane Brun, Swedish Radio Symphony Orchestra & Hans Ek – Live at Berwaldhallen

AnebrunII

Ane Brun Official
Filmtipp der Sendung
Die Vierhändige



DieVierhaendige
Album der Sendung II
Freya Ridings –
Live at Omeara


Freyaridings

Freya Ridings Official

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5 Questions to: Julia Kent.

Julia Kent, now located in New York but born in Vancouver, is a cello player and composer from Canada. Until now she successfully collaborated with Angela McCluskey, The Angels of Light, Antony and the Johnsons, Backworld, Black Tape For A Blue Girl, Current 93, Jarboe, Norah Jones, Rasputina, Rufus Wainwright and Ryan Adams.

Her compositions are located between the poles of music for film, rock, folk, dance and theatre, as well as experimental music.
In common with her compositions her cello playing is complex and characterized by a mystic melancholy.


JuliaKent-2
Julia Kent, Photographer: Pedro Anguil


Reset Black: Up to now you have published 6 gorgeous soloalbums. Additional there are musical collaborations with Norah Jones, Rufus Wainwright, Antony and the Johnsons, Black Tape for a Blue Girl, Current 93, Jarboe – to name but a few – up to Barbara Morgenstern, in germany still dealed as an insiders’ tip. Having just a look at these range of different musical genres, provides an insight into the challenge of your complex oevre. Are these collected experiences a personal gain for your compositions? How is the impact on your creative process?

Julia Kent: I am very grateful for having had the chance to encounter so many amazing artists, and, of course, everyone I've been lucky enough to work with has had an impact on my creative process. The artistic encounters you mention are mostly from a long time ago, and, in many cases, it was just a question of someone graciously inviting me to contribute something to their work. I feel as though I've created my own path as a solo artist, but, definitely, I have learned from everyone that I've had the privilege of encountering musically. Especially Anohni, who is such a special and beautiful being. I learned so much from having the wonderful experience of playing with her over quite a few years, both musically and personally. But, definitely, everyone I have worked with has left a trace.

Reset Black: Those who listen to the music of Julia Kent are currently a sort of witness of a musically front-line report from battlefields of emotions. And the listener is certainly ambivalent: happy on one side to be "only" the audience – willing not to get lost in such an emotional battle. On the other side desiring to be consumed by such a magical fire. The track "Lac des Arcs" from your album "Asperities" is in such a way. The question arises, what makes you feel so profoundly concerned to compose songs which do not only affect, but also transport into an expanding spehre of emotions?

Julia Kent: I think that emotion, at least in the sense of trying to address the fragility and ephemerality that is innate in being human, is always something I am trying to express, musically. And, right now, it seems as though sharing the feelings and fears that we all have is the only way we can achieve commonality. We are in an awful time in the world, on many levels. I come from Canada, but I live in America, where, right now, the country seems so divided, perhaps as it always has been: we are experiencing a poisonous time of hatred, and disregard for human values, and conflict. I hope that we still can still find some points in common. I think that emotion--something that's beyond politics or ideology--can maybe bring us together as human beings? It could be the only way we can evolve--through finding our common ground as human beings on a planet that we are increasing seeing can't host us for much longer because of our greed and thoughtlessness. Ultimately, I think we all feel the same basic emotions, even if we''re on different ends of a political spectrum. And, unfortunately, I think the final emotion we will feel, as a species, might be regret: for destroying our ability to exist on this planet, and our sense of solidarity as human beings.

Reset Black: Listening to your cello playing, it comes into one’s mind that your instrument is a weapon. A weapon to crusade mainstream, pop and fleeting "Zeitgeist“. Although – or especially because of – the cello is a vintage instrument, it unfolds a momentum which is stronger than modern techniques. How did you came about electing the cello and what does it means to you? Is the cello sense of life, statement, art or more than this? Possibly even an artistic revelation?    

Julia Kent: The cello, of course, is such a classical instrument, but there always have been composers like Arthur Russell and Tom Cora who forged ahead and turned it into an expressive and individual medium. Also cellist/composers like Ernst Reijseger and Hildur Gudnadottir and Deidre Murray and Erik Friedman, who are so inspiring in the way they approach making music that is cello-based. For me, it's the instrument that I always have played and have continued to embrace because it's my voice. I don't play the cello in any conventional or technically adept way, but I love to use it as a sound source, and to exploit its expressive capabilities. It's definitely a very direct way to express emotion; the instrument is so sensitive to that. And of course it can be a weapon, as all instruments can. I'm waiting for the musicians' revolution to happen. Music has such power to unlock feeling.

Reset Black: It took me a long tome to come to an idea how to entitle your music. There is nothing comparable, no drawer to put into. It’s not because your music is a mixture of styles or crossover but rather unique in its compexity. I would love to designate your music as "Soundtrack for Inner Space and Sense" – definitely not intended in an esoterically manner. In addition to that, you are doing compositions for film and theatre. Is this pointing your way ahead? Or do you continue as a musician without limitations and still feeling comfortable in many artistically and musically fields?

Julia Kent: That is such a beautiful way to characterize my music--thank you! I definitely think that I am trying to create music that comes from an inner space and expresses some very personal emotions. But I also love making music for film and dance and theatre; it's always inspiring to make music that is reacting to someone else's creative vision. Images or choreography or text have their own requirements in terms of accompanying them and I'm always excited to explore that. It's such an interesting way to collaborate as, in a way, you're using a different language, but working toward the same artistic end. And the idea of soundtracking can be applied in so many different contexts. In a way, we're always soundtracking our own lives.

Reset Black: Having a look at the release history since your debut "Delay“, it strikes me that a new release should come very soon. Are you currently planning something new? If so, what are the themes and is there any publication date? My very special whish: a collaboration of your gorgeous cello playing and the mystic voice of David Tibet – that would be simply delightful …   

Julia Kent: Yes! I have a new record ready to go, which I think will come out early next year, on the Leaf label. It consists of music created for dance and theatre, along with some new pieces that seemed to fit into the same sound-world. I feel as though it's more external than some of my previous records, in terms of being inspired by text- and movement-based concepts, but it also evolved quite a lot in the process of turning it into a cohesive work. There are some collaborations that I'm working on as well, including something for Gregory Euclide's amazing Thesis Project, with Sophie Hutchings. And I have a couple of film and dance projects that should be emerging over the next few months.


JuliaKent-1
Julia Kent, Photographer: PEPE fotografia


For more informations visit:
Julia Kent
Official
Julia Kent @
Facebook
Julia Kent @
Bandcamp



"Flag of No Country" from Julia Kents "Asperities" @
The Leaf Label 2015

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Termin September 2018

– 20.09.2018 –
Termin November 2018

– 15.11.2018 –
Termin Oktober 2018

– 18.19.2018 –

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Termin Dezember 2018

– 13.12.2018 –
Termin Februar 2018

– 07.02.2019 –
Termin Januar 2019

– 10.01.2019 –

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© by Reset Black. "Reset Black" is a Radioshow for those who enjoy sounds on the periphery of silence.